whats-on, songs-theatre-arts, Pub Rock, images review, Countrywide Portrait Gallery
A backstage move to ’70s and ’80s pub rock seems and scenes, this exhibition attributes operates from the Nationwide Portrait Gallery selection together with pictures by main Australian songs photographers. We are invited to celebrate pub rock and its enduring effect on our id. I suspect lots of of people who check out will be much more intrigued in the subjects than in the quality of the photographs. They may perhaps also be additional interested in the general performance shots and the ambiance portrayed, than in the staged portraits and publicity pictures. Be that as it may possibly. The photographers incorporate Peter Brew-Bevan, Wendy McDougall, and Rennie Ellis, whose do the job I have extensive admired. Brew-Bevan’s portraits of popular Australians this sort of as Julia Gillard, Jane Campion and Gough Whitlam are fine is effective in the NPG selection. 1 on display screen right here is an similarly good examine of Paul Kelly. Ellis is also represented in the NPG assortment with diverse photos, some of which are on exhibit listed here. They include things like his instantaneously recognisable shot of Angus Younger of AC/DC on stage in Los Angeles. For me, his monochrome portrait of Youthful with Bon Scott in an Atlanta, Georgia dressing space is a more interesting image. McDougall’s image of The Church is simply good. So also her graphic of Doc Neeson of the Angels. He is posing drastically for her digital camera – or was he doing for her – in a corner. An additional exhibitor whose perform I did not know so well is Bleddyn Butcher. This artist delivers us an fantastic graphic of Nick Cave and Rowland S. Howard (of The Birthday Get together). And there is a good portrait of Archie Roach by Monthly bill McAuley. Maybe the finest-recognized shot is by Lewis Morley of the nude Sherbet, from 1974. Or perhaps it is Jimmy Barnes at The Coogee Bay Resort, by Grant Matthews. Or possibly the now described Ellis shot of Angus Young. Or Chrissy Amphlett in Sydney in 1988, by Stuart Spence? A lot of will recognise a lot of the images. There are also portraits of rockers who were being major outside the house the ’70s and ’80s – for case in point Johnny O’Keefe, who shocked me in a capability crowd at the Odeon Theatre in Goulburn in the late ’50s. Unfortunately, that architectural and cultural treasure was demolished 40 years ago. But all current that evening would have memories of the dust clouds elevated when The Wild 1 frightened individuals current by intentionally “collapsing” and then lying on the floor for many minutes in the course of his frantic functionality. Then there is an impression of Col Joye taken in 1957 by Ern McQuillan – of curiosity to me as I remember seeing Joye accomplish in Queanbeyan close to that time. But most likely the most exciting aspect of the exhibition for locals is Money Cool – showcasing a group of works by ‘pling, the late Canberra performance photographer Kevin Prideaux. These involve an great portrait of Sharon O’Neill carrying out at the Hellenic Club. We can enjoy and reminisce about acts seen in other venues – the Captain Prepare dinner Uni Bar, The Jam Factory, the ANU Union, Kingston’s Boot and Flogger, the Ainslie Rex, CCAE, and the Kingo. From the punk strength of The Young Docteurs to the indie seem of The Lighthouse Keepers, and numerous many others in amongst – The Saints, Ramones, Gentlemen at Operate, INXS – ‘pling was there capturing the performances, and the neighborhood that rapturously supported them. As well as images, some prints and paintings, there are 18 online video clips on display, and you can hear to all the artists on Spotify even though browsing the exhibition. Entry is absolutely free but timed bookings are vital by way of portrait.gov.au/calendar/timed-ticketing.
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A variety of Artists: Pub Rock. National Portrait Gallery. Till February 14, 2021.
A backstage move to ’70s and ’80s pub rock seems and scenes, this exhibition characteristics functions from the Nationwide Portrait Gallery assortment together with pictures by primary Australian new music photographers. We are invited to rejoice pub rock and its enduring influence on our identification.
I suspect lots of of those people who pay a visit to will be more interested in the subjects than in the high-quality of the pictures. They might also be far more interested in the general performance pictures and the environment portrayed, than in the staged portraits and publicity photographs. Be that as it might.
The photographers include Peter Brew-Bevan, Wendy McDougall, and Rennie Ellis, whose work I have very long admired. Brew-Bevan’s portraits of popular Australians these kinds of as Julia Gillard, Jane Campion and Gough Whitlam are high-quality works in the NPG collection. Just one on exhibit below is an similarly superior study of Paul Kelly.
Rennie Ellis, Bon Scott and Angus Youthful, Atlanta, Ga 1979. Photograph:Countrywide Portrait Gallery, Ordered 2010
Ellis is also represented in the NPG assortment with various illustrations or photos, some of which are on demonstrate listed here.
They involve his immediately recognisable shot of Angus Young of AC/DC on phase in Los Angeles. For me, his monochrome portrait of Youthful with Bon Scott in an Atlanta, Ga dressing place is a a lot more exciting image.
McDougall’s impression of The Church is just wonderful. So as well her picture of Doc Neeson of the Angels. He is posing considerably for her digital camera – or was he undertaking for her – in a corner.
A different exhibitor whose do the job I did not know so nicely is Bleddyn Butcher. This artist delivers us an superb picture of Nick Cave and Rowland S. Howard (of The Birthday Get together). And there is a good portrait of Archie Roach by Invoice McAuley.
Probably the most effective-recognized shot is by Lewis Morley of the nude Sherbet, from 1974. Or maybe it is Jimmy Barnes at The Coogee Bay Resort, by Grant Matthews. Or potentially the previously outlined Ellis shot of Angus Young. Or Chrissy Amphlett in Sydney in 1988, by Stuart Spence? Many will recognise loads of the visuals.
There are also portraits of rockers who were being significant outdoors the ’70s and ’80s – for illustration Johnny O’Keefe, who shocked me in a capacity group at the Odeon Theatre in Goulburn in the late ’50s.
Unfortunately, that architectural and cultural treasure was demolished 40 several years in the past. But all current that night would have memories of the dust clouds lifted when The Wild A person afraid individuals present by intentionally “collapsing” and then lying on the ground for many minutes all through his frantic general performance.
Grant Matthews, Jimmy Barnes at The Coogee Bay Resort 1984, 1984. Photo: Countrywide Portrait Gallery Present of John McLean 2008
Then there is an image of Col Joye taken in 1957 by Ern McQuillan – of fascination to me as I remember viewing Joye accomplish in Queanbeyan about that time.
But probably the most exciting section of the exhibition for locals is Money Amazing – showcasing a group of is effective by ‘pling, the late Canberra general performance photographer Kevin Prideaux. These consist of an fantastic portrait of Sharon O’Neill accomplishing at the Hellenic Club.
We can get pleasure from and reminisce about functions witnessed in other venues – the Captain Cook dinner Uni Bar, The Jam Factory, the ANU Union, Kingston’s Boot and Flogger, the Ainslie Rex, CCAE, and the Kingo.
From the punk energy of The Youthful Docteurs to the indie sound of The Lighthouse Keepers, and quite a few many others in in between – The Saints, Ramones, Men at Operate, INXS – ‘pling was there capturing the performances, and the group that rapturously supported them.
As nicely as photos, some prints and paintings, there are 18 video clip clips on present, and you can hear to all the artists on Spotify when searching the exhibition.
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